Dismembering Horror


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Episode 034 - Mom and Dad

This week we turn on the gas and get blown away by Mom and Dad, a filicidal romp of a film that holds very little back. Our second Nic Cage movie does not disappoint. Ryan and Tim both rated it with a hearty “rent,” even though Tim was forced to bring back his old “Cobweb Continuity” segment (now with its very own, totally not-improvised intro song).

Where we watched: Hulu

RecommenDEADtions: King Cohen: The Wild World of Filmmaker Larry Cohen / Letterboxd (social film diary platform)

Mom and Dad (2017)
Written and Directed by Brian Taylor


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About Us...



For those times when there may not be a fellow horror fiend to watch and discuss a new horror film with, you’ll always have Ryan and Tim.

The two self-proclaimed “Horror Hounds of Hollywood” started this podcast as a way to capitalize on the particular excitement after watching a horror film for the first time. It doesn’t matter how good or bad the movie might be— it’s always fascinating to explore how and why the filmmakers did the things they did, and for whatever reasons, that’s especially true when the subject matter is macabre.

So join us weekly as your hosts Ryan McDuffie and Tim Aslin dive in and "dismember" horror.  We watch a film we haven’t seen, breakdown what did and didn’t work, and discuss anything we found noteworthy. And don't you forget, we always announce next week's movie so you can prepare for the discussion!



Born and bred in the San Francisco Bay Area, Ryan has been passionate about films and filmmaking since spending most weekends as a child watching his favorite film, Pee-wee's Big Adventure.  Since graduating from UC Santa Cruz, he's written and directed seven short films, including the much-acclaimed horror short Forest Falls. He has also produced nine other short films, the streamy-nominated web-series Anamnesis, and is currently working on a new short film, as well as developing multiple feature-length genre films.




A life-long horror fan, Tim got his start watching scary movies introduced to him by his older brother at, more than likely, too early an age (thanks The Shining and Alien at 10). Thus began his love affair with being scared. Originally from Indiana, and raised in Rochester NY, he grew an appreciation for the eeriness of forests and bleak Autumn landscapes. Particularly fond of isolation themes, he turned to writing horror scripts informed by them. Now with an eye behind the camera, he hopes to bring those stories to the screen and test his expertise in the art of the scare.